This is a fascinating overview of the history of sound art. The rise of a prominent auditory culture, as seen in the recent plethora of art exhibitions on sound art, in conjunction with academic programs dedicated to "aural culture", sonic art, and auditory issues now emerging, reveals the degree to which sound art is lending definition to the 21st century. And yet, sound art s...(展开全部)

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A ...(展开全部)

This is a fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. "Listening to Noise and Silence" engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salome Voegelin immerses the reader in concepts of listening to sound ...(展开全部)

The various perspectives of the field of personality provide the organizing framework for this text. Each perspective is presented in two chapters and is introduced by a prologue that describes the assumptions and themes of the perspective. As the book's title implies, there are many perspectives a person might take on personality, many ways to think about human nature. This b...(展开全部)

Informative, yet engaging – viewpoints of personality psychologists today Written in an informal, conversational style, Carver and Scheier engage students by helping them understandhow various perspectives of the field of personality can apply to their own lives. This book describes a range of viewpoints that are used by personality psychologists today. Each per...(展开全部)

The various perspectives of the field of personality provide the organizing framework: each perspective is presented in two chapters and is introduced by a prologue that describes the assumptions and themes of the perspective. Engaging and very successful, this new edition introduces hundreds of new citations; presents the ideas logically and orderly and concludes with a unique...(展开全部)

彼得·伯克（Peter Burke），英国历史学家，当代著名新文化史家。曾执教苏塞克斯大学、剑桥大学，现为剑桥大学文化史荣休教授及伊曼纽尔学院研究员。著有《欧洲近代早期的大众文化》《历史学与社会理论》《制造路易十四》《知识社会史》《图像证史》《什么是文化史》《近代早期欧洲的语言和共同体》等。 薛向君，江苏警官学院教授，历史学博士，公安部国际合作局国别与区域研究专家。主要从事国际执法合作、跨国犯罪研究。译著有《警务中的法则》《问题地点监控》《警务网》等。

The way in which history is written has changed quite dramatically - so much so that the phrase ?the new history? is now commonly used by historians. But what is the new history and how ?new? is it? Is it a temporary fashion or a long-term trend? Will it - or should it - replace traditional history, or can the two coexist in peace? This second edition of New Perspect...(展开全部)